Hill of desires : Practices of Rural Imagination Tom Gauld n’est pas n’importe qui

n’est pas n’importe qui

c’est que l’heure de la vengeance a sonné

celle de la peste constitue l’un des fondements de l’art renaissant et de l’ordre du discernement qu’il instaure

Silki Jung (Corée du Sud)

" David Siodos

Hill of desires : Practices of Rural Imagination Tom Gauld n’est pas n’importe quiHill of Desires is a collective publishing device that engages with contemporary art as a situated practice rooted in European peripheral and inland territories. It is a radical exercise in imagination that embraces rurality as a space of counter narration, one capable of generating political ecologies, affective infrastructures and non institutional forms of knowledge, offering a critical contribution to the redefinition of cultural geographies and